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Most of Graffiti is a natural progression for Chris Brown. Like many young cred-seeking male singers who have just exited their teenage years, Brown emphasizes womanizing and hedonism and balances it out with a couple clean and empty ballads, as well as a couple relatively lighthearted Europop numbers. A handful of songs deal with his relationship with Rihanna, as well as the fallout from his assault of her.
Review by Andy Kellman
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